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MACBETH





4 - 19 September
Live at His Majesty's Theatre, Perth with
West Australian Symphony Orchestra

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THE CROWN OUTLIVES THE KING.

Choreographer Alice Topp brings naked ambition, political power and transgression to the fore in this new, high-octane contemporary ballet, propelling Shakespeare’s iconic characters into a shadowy world of manipulation by media, boardroom intrigue and sudden violence. Accompanied by Christopher Gordon’s pounding new score, performed live by members of the West Australian Symphony Orchestra, this is a bold and bloody re-telling not to be missed.

Dates & times


4 - 19 September
Live at His Majesty's Theatre, Perth with
West Australian Symphony Orchestra

View performance times

Audio Described/ Tactile Tours will be available for the
performance on Saturday 19 September, 2.00pm
Contact His Majesty's Theatre Box Office to book

Reviews


"Lives up to the hype"
The Wellingtonista




"Epic production triumphs on many levels"
The Post




"Rich in Shakespearean drama... with a bold and vital modern edge"
Danz



"Leave your preconceptions about ballet at home"
Theatre Review

Synopsis

Production credits


Choreographer
Alice Topp
Set and Lighting Designer
Jon Buswell
Costume Designer
Aleisa Jelbart
Dramaturgy
Ruth Little
Composer
Christopher Gordon
Principal Conductor
Jessica Gethin

A co-production with Royal New Zealand Ballet

Please note: Latecomers will be admitted at a suitable break in the performance.

Smoke, haze and lighting effects will be used during this performance. This production contains mature themes and scenes that some audience members may find distressing. These include stylised depictions of violence (including murder and suicide), themes of death and grief, representation of drug use, sexual themes and suggestive content, and psychological manipulation and distress. This production is classified as M – Suitable for mature audiences. We recommend it is suitable for viewers aged 16 and over. Parental discretion is strongly advised, particularly for younger or more sensitive audience members. We encourage audiences to consider these themes when deciding if the performance is appropriate for themselves or those in their care.